Reviews

SCARECROW RECORDINGS 2010

Release:     06-07-2010
Origin:     Sweden
Length:     33:08

“Oh listen to them, the children of the night, what sweet music they make.” These children have grown up and became mature during the years. When this phrase was used on their first album and this record developed them to one of the biggest (black) metal bands in history starting from the year 1994 with creating a unique and outstanding sound throughout their first 4 albums and after that drifting away into meaningless.

Now the children are taking up the instruments to recreate, replay and rediscover the music of their (fore)fathers. They called themselves Netherbird and started to embrace evil to make their principles out of flesh. I am eagerly waiting for the new Cradle Of Filth, since they are on the way back to rediscover their roots; after drifting for too long out of the black metal borders. On the other hand their children Netherbird are just reproducing old Cradle Of Filth and that is not what I and you have been looking for.

Yes they are able to create songs with this haunting Cradlesque atmosphere together with the diverse Dani vocals and long mind drifting and epic keyboard layers to take your mood into eternity and beyond, but that’s all. Nothing unique, Netherbirdish or colossal.

Cradle fans should definitely check this out, anyone else go worship other monuments.

A plus for the artwork done by master Necrolord! Cradle fans will love this album and rate it an 8, I discovered a lack of originality and will rate it a 4, so average a 6, but not even worth in the title the word monument.

BLOODCORPSE

http://www.myspace.com/netherbird

(Self Released)

Release Date: 2010
Origin: Spain

The debut album of Ilbeltz is finally out. This band from Basque Country isn’t new at all! It exists from 1995 and if the name reminds something to some of you, it is because Ilbeltz participated in the 3-way split “Triarchy of Vasconia” in 2001, together with Aiumeen Basoa and Adhur. Until the release of the split the band was very active with gigs, but after that they stopped. In the meantime they composed some songs and now in 2010 they finally released their first full-length album.

“Auskan Gabiltz Olatun Gainian – We’re Struggling on the Waves” can be described as folk pagan metal, but it definitely isn’t the typical album of the genre! There are 5 songs, all of them over 12 minutes long, while the album lasts for 69 minutes. The band explores many different sounds and each song contains many genres. They move from black, heavy and power metal, to folk, Celtic and traditional native Basque acoustic music, even with some renaissance references. The band has a raw sound, paying more attention to create a “real” and live feeling, rather than a perfectly “polished” studio album. This works for them since the nature of their music allows it, but I have to admit that some acoustic instruments could be played a little better… It is very difficult to recognize any particular structures in the compositions and the band seems to improvise; no bridges, refrains or catchy parts to repeat… Even if there are many changes inside the songs, they somehow manage to retain the same folk Basque atmosphere throughout the whole album.

Their lyrics are in their native language, but there are translations in the booklet. They are based on the novel “Xenda bi ez Duk Lizentzi” written by the band’s mastermind Ibai Mendinueta, who also composed all the music and it deals with an epic story that takes place in the 16th century. These tales about conquering and adventures related to the seas are perfectly portrayed on their music that speaks on its own even if you can’t understand the lyrics! Of course this alone says a lot about the work behind this album! The extended use of traditional instruments helps the band to build this unique atmosphere, as well as the use of their unusual native language in a very “folk” way. Some of the melodies are actually based on authentic 16th century traditional songs and they help the band to transfer us back in time! I would also like to comment the clean vocals that are very expressive and with a very personal touch.

Overall I would say the Ilbeltz is a very special band that fans of folk metal in general must definitely check. Even if they are mostly described as folk pagan black metal band, their black elements aren’t that dominant. Most of the time they play folk metal (mainly power) and acoustic folk music. I think they could have a better sound, but I have to recognize that they created a very personal album and I am really looking forward for their next step! The level of the album is very good, but there are some moments that are really excellent! So I am hoping (and expecting) that they can make something better and more solid in the future. You can visit their myspace page to listen to the whole first song (14:20 mins) and contact the band if you want to buy “Auskan Gabiltz Olatun Gainian”: http://www.myspace.com/ilbeltzofficial

dimiarch

IBEX MOON RECORDS 2010

Release:     06-08-2010
Origin:     Germany
Length:     35:29

When, after the intro, the first song “Entombed in unknown Graves” comes crawling out of my speakers I know already where this darkness journey is going to end. I am already lost at the left hand path during the beginning of the 90’s so when this re-release is also repacked with Dismember’s “Casket Garden” there is no escape anymore. Swedish Old School death metal is presented here.

Lifeless is coming from Germany and their one and only release “Beyond Threshold of Death” was already recorded, produced and released in 2008 in a very small quantity by the band itself. Now almost 2 years later Ibex Moon gathered these pieces of brutal old school death metal from the deep depths of the grave to dismember and excruciate these 8 songs with a cover version of Dismember. The body was repacked, refreshed and released with a different cover. Most important the internal organs of the dead metallic corpse were evocated by Vesa Kenttäkumpu from the band Evocation, bringing back a glimpse of the old school 90’s feeling, when death metal was all about riffs, dirtiness, dead and horrific feelings.

Anyone that has lost his track in the early 90’s death metal boom can without a doubt also listen beyond this threshold of death metal to pick up the right path. Fans of more modern death metal or technical death metal should reprogram their map.

A decent and obscene release after more than 20 years, but still the originators have already paved the left hand path ways ago.

BLOODCORPSE

http://www.myspace.com/lifelessdeathmetal